![]() ![]() ![]() The movie is less interested in twists and turns than in watching the giant and Sophie interact. There's a little bit of plot, mostly having to do with how the BFG will deal with the really big giants who scare him and call him "runt" this stuff resolves itself so quickly that it's as if the story realized it was getting late and the kids needed to get to sleep. But most of all, it's a film about two unlikely friends. It's a film about about dreaming and storytelling, parenting and childhood, nostalgia and pragmatism, and the necessity of standing up for yourself even when you know you can't win. Like the BFG, it cares about the little things, and it moves with a grace that belies its size. The movie is filled with gestures that meaningful. "Do you have my glasses?" she asks him late in the film, during another action scene. ![]() He does it so that the bigger giants won't see them and know for sure that he's hiding a child, but there's a more basic motivation: to prevent them from getting crushed. They love to eat people, whom they call "human beans," or simply "beans." When Sophie hides from the bigger giants and they clomp around looking for her, the first thing the BFG does is find Sophie's glasses and hide them in his pocket. They're scary, stupid bullies, and so big that they tower over the BFG the way he towers over Sophie. The BFG is indeed friendly-befuddled and a bit sad, but nice. It's about a London orphan who gets kidnapped by The Big Friendly Giant, or BFG ( Mark Rylance, in the first motion-capture performance to equal Andy Serkis' best) and whisked away to the land of the giants. Sophie (newcomer Ruby Barnhill) is the heroine of "The BFG," Steven Spielberg's film of Roald Dahl's novel. The ideal age for it is somewhere between fiveĪsk basic, very practical questions about the stories adults tell them at bedtime, like "Are Sophie's glasses OK?" "The BFG" remembers what it's like to see ![]()
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